La micro-ficción en inglés se presenta, en nuestro contexto universitario, como un desafío para quienes se atreven a afrontarlo, desde lo lingüístico, socio-cultural y afectivo. Este trabajo explorará el potencial de los microrrelatos como herramientas para desarrollar las habilidades orales de alumnos avanzados del Profesorado y Traductorado en Inglés, Facultad de Lenguas (UNCo). Este género supone un lector activo que aporte su propio entendimiento a la ambigüedad inherente al micro-cuento, ya que este estímulo, acotado en apariencia, es, en esencia, infinito en pluralidad de interpretaciones. Así, a partir de una mini-ficción, se obtiene una fuente ilimitada de debate que permite el abordaje de una multiplicidad de temas. En nuestra experiencia, la posibilidad de conocer y explorar otras realidades da a los estudiantes una visión panorámica que les permite valorar la diversidad cultural. 
En la materia Inglés IV, se propuso a los alumnos trabajar en grupo para seleccionar un cuento corto, analizarlo y formular preguntas que generaran la discusión de los temas centrales en él. En un paso posterior, dirigieron una clase para sus compañeros en la que se debatieron las diferentes opiniones. La naturaleza de las mini-ficciones dio lugar a una riqueza de interpretaciones, fomentada por la política de flexibilidad que se condice con los objetivos de la cátedra. Esta experiencia redundó en beneficios para el grupo en su conjunto: utilizaron la lengua meta en todo momento, se enfrentaron a nuevos universos socio-culturales, y desarrollaron una actitud de tolerancia a la ambigüedad y a la diversidad de opiniones.


ABSTRACT

In our academic context, the short-short story in English presents itself as a linguistic, sociocultural and affective challenge for those brave enough to face it. This work explores the potential of this genre as a tool for the development of oral skills in English as a Foreign Language, in advanced students taking the Teacher- and Translator- Training courses at Facultad de Lenguas (UNCo). This genre demands an act ive reader that brings his own understanding of the ambiguity inherent in the text to the reading of the story. This stimulus, which may seem as small as a particle, is, in essence, infinite in the wealth of interpretations it may trigger. Thus, from a short story, we get an unlimited source of debate that gives way to the discussion of various topics. The possibility to get to know and explore other worlds gives our students a panoramic view that makes it possible for them to value cultural diversity. Students taking the English IV course in 2010 were encouraged to work in groups to select a short story, analyse it, and pose questions to generate the discussion of the main themes in the texts. At a later stage, they delivered a lesson for their classmates with a debate of students’ opinions. The nature of micro-fiction triggered a richness of interpretations, fueled by the flexibility policy that is part of the objectives of the subject. This experience was beneficial for the course as a whole: students made use the target language at all times, they faced new sociocultural universes and they developed tolerance of ambiguity and of diversity of opinion.

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La micro-ficción en inglés se presenta, en nuestro contexto universitario, como un desafío para quienes se atreven a afrontarlo, desde lo lingüístico, socio-cultural y afectivo. Este trabajo explorará el potencial de los microrrelatos como herramientas para desarrollar las habilidades orales de alumnos avanzados del Profesorado y Traductorado en Inglés, Facultad de Lenguas (UNCo). Este género supone un lector activo que aporte su propio entendimiento a la ambigüedad inherente al micro-cuento, ya que este estímulo, acotado en apariencia, es, en esencia, infinito en pluralidad de interpretaciones. Así, a partir de una mini-ficción, se obtiene una fuente ilimitada de debate que permite el abordaje de una multiplicidad de temas. En nuestra experiencia, la posibilidad de conocer y explorar otras realidades da a los estudiantes una visión panorámica que les permite valorar la diversidad cultural.
En la materia Inglés IV, se propuso a los alumnos trabajar en grupo para seleccionar un cuento corto, analizarlo y formular preguntas que generaran la discusión de los temas centrales en él. En un paso posterior, dirigieron una clase para sus compañeros en la que se debatieron las diferentes opiniones. La naturaleza de las mini-ficciones dio lugar a una riqueza de interpretaciones, fomentada por la política de flexibilidad que se condice con los objetivos de la cátedra. Esta experiencia redundó en beneficios para el grupo en su conjunto: utilizaron la lengua meta en todo momento, se enfrentaron a nuevos universos socio-culturales, y desarrollaron una actitud de tolerancia a la ambigüedad y a la diversidad de opiniones.


ABSTRACT

In our academic context, the short-short story in English presents itself as a linguistic, sociocultural and affective challenge for those brave enough to face it. This work explores the potential of this genre as a tool for the development of oral skills in English as a Foreign Language, in advanced students taking the Teacher- and Translator- Training courses at Facultad de Lenguas (UNCo). This genre demands an act ive reader that brings his own understanding of the ambiguity inherent in the text to the reading of the story. This stimulus, which may seem as small as a particle, is, in essence, infinite in the wealth of interpretations it may trigger. Thus, from a short story, we get an unlimited source of debate that gives way to the discussion of various topics. The possibility to get to know and explore other worlds gives our students a panoramic view that makes it possible for them to value cultural diversity. Students taking the English IV course in 2010 were encouraged to work in groups to select a short story, analyse it, and pose questions to generate the discussion of the main themes in the texts. At a later stage, they delivered a lesson for their classmates with a debate of students’ opinions. The nature of micro-fiction triggered a richness of interpretations, fueled by the flexibility policy that is part of the objectives of the subject. This experience was beneficial for the course as a whole: students made use the target language at all times, they faced new sociocultural universes and they developed tolerance of ambiguity and of diversity of opinion.

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Zinkgräf, Magdalena]]> Risso Patrón, Zoraida]]> Verdú, María Angélica]]>
Introduction
This paper presents the methodology used in an EFL university course within the Teacher- and Translator- training programmes at Universidad del Comahue to foster critical thinking of literary canons, themes and styles through the use of microfiction. From 2006 to 2008, on-line or printed micro-tales were used to prompt English V learners to experience the thrills of this singular literary genre and to reflect upon the impact it may have on their beliefs about literature, on their outlook on life and on the perceptions they have of their own selves. The “adventure”, whose aim was to give lear ners brief and authentic, un-reviewed raw material to be evaluated by them in the format of reviews, ended up providing both teachers and students with the chance to explore an array of contentious issues stemming from fragments of characters‟ lives. Each piece of microfiction meant a whole different story to each learner, and, therefore, yet another challenge to face in the course. Plunging into the genre implied the revision of the canons of what literature is supposed to be like, their beliefs of what a story is thought to present, and their expectations as to what the reader‟s task comprises. With each new narrative, highly controversial topics were raised, innovative perspectives on narrating were presented and multiple versions of the story were offered.]]>
Introduction
This paper presents the methodology used in an EFL university course within the Teacher- and Translator- training programmes at Universidad del Comahue to foster critical thinking of literary canons, themes and styles through the use of microfiction. From 2006 to 2008, on-line or printed micro-tales were used to prompt English V learners to experience the thrills of this singular literary genre and to reflect upon the impact it may have on their beliefs about literature, on their outlook on life and on the perceptions they have of their own selves. The “adventure”, whose aim was to give lear ners brief and authentic, un-reviewed raw material to be evaluated by them in the format of reviews, ended up providing both teachers and students with the chance to explore an array of contentious issues stemming from fragments of characters‟ lives. Each piece of microfiction meant a whole different story to each learner, and, therefore, yet another challenge to face in the course. Plunging into the genre implied the revision of the canons of what literature is supposed to be like, their beliefs of what a story is thought to present, and their expectations as to what the reader‟s task comprises. With each new narrative, highly controversial topics were raised, innovative perspectives on narrating were presented and multiple versions of the story were offered.]]>
Zinkgräf, Magdalena]]> Formiga, Paola]]>